

- THE HIDDEN MOVIE DOG FROM NIGHTMARE ON ELM STREET 4 FOR FREE
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Halloween may be the better movie (it’s my personal favorite film), but I would argue that Elm Street plays more effectively to a modern audience.Ģ:05 A.M.

The screening elicited a few unintentional laughs - Nancy’s mother’s seemingly never ending supply of hidden alcohol chief among them - but on the whole it’s less dated than its slasher contemporaries. Anything goes in the dream world, so Craven was able to lean into the weirdness. He always uses victims’ fears against them in their nightmares, but in his first go he took pleasure in taunting them by cutting off his own fingers, allowing his face to be ripped off, and showing his clunky extendo-arms.
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One thing I appreciate about the original movie is how Freddy toyed with his victims an element that was largely lost as the series progressed and a formula was established with sequels. The ever-reliable John Saxon does great work as Nancy’s father. Heather Langenkamp - on whose birthday this event coincidentally fell - brings a girl-next-door naivety to her role as final girl Nancy Thompson, although Amanda Wyss as Tina is perhaps the best actor among the main cast. Even at the age of 21, he exudes a natural charisma as Glen, right up until his bloody end. It was my first time watching a Johnny Depp (who receives an “introducing” credit for his film debut) movie since his personal issues were publicly aired, and of course someone made an off-color Amber Heard joke. Miller’s Freddy makeup and gory effects, Charles Bernstein’s synthesizer score, and the haunting nursery rhyme. It’s a horror masterpiece for a myriad of reasons: Wes Craven’s ingenious concept of an inescapable slasher coupled with his careful direction, Robert Englund’s fearless embodiment of Freddy as he toes the line between menacing and playful, David B. There’s not much to say about A Nightmare on Elm Street that hasn’t already been said many times over. That number would dwindle with each passing movie until only the most dedicated (and sleep deprived) FredHeads remained.ġ2:15 A.M. Over 200 people were in attendance as the first movie started, some of whom were newcomers to the franchise. The Coolidge’s Director of Special Programming, Mark Anastasio, briefly took the stage to welcome everyone and explain that, other than 5-10 minute intermissions between each film, we were in for nothing but Freddy for the next 12 hours. Sandman” to Tom Petty’s “Runnin’ Down a Dream” and Metallica’s “Enter Sandman” - playing over the theater’s speakers. The mood was set with a playlist of songs related to dreams - from Eurythmics’s “Sweet Dreams (Are Made of This)” and The Chordettes’s “Mr.
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Upon entry, all attendees received a commemorative thermos that could be used for free coffee, courtesy of Boston’s favorite ice creamery J.P. Allow me to run through my 12+ hour dream journal….įans - many decked out in Freddy Krueger apparel, others sensibly clad in comfortable pajamas, some with pillows and blankets in tow - were lined up around the building by the time doors opened, eager to claim a good seat to post up for the night. Sure, I’ve watched them all countless times, and I’m too old for an all-nighter, but the allure of seeing them on the big screen in 35mm surrounded by fellow dream warriors was impossible to pass up.

I finally got to experience them the way they were meant to be seen when the Coolidge Corner Theatre in Brookline, MA hosted Don’t Fall Asleep: A Nightmare on Elm Street Marathon, an aptly named event featuring all seven films back-to-back from midnight to noon. I love the Nightmare on Elm Streetfranchise, wildly inconsistent as it may be, but I was too young to see any of the originals in theaters.
